Jan 18: Math Goes to Hollywood -- January 2007

Instructor: Ben Davis
Email: bdavis@stmarys-ca.edu
Web: http://galileo.stmarys-ca.edu/bdavis/
Office: Galileo 101 A
Office Phone: 631-8048
Office Hour: Tuesdays 3:15-4:15 pm, or by appointment.
Text: A Short Guide to Writing about Film, Sixth Edition
Timothy Corrigan
Longman, c2005
Film List: Good Will Hunting, Enigma, Sneakers, Pi, Antonia's Line, Numb3rs:Season 1:Prime Suspect (Disc 2), Stand and Deliver, Proof, Fermat's Last Tango, The Simpsons:Season 7:Treehouse of Horror VI (Disc 1), A Beautiful Mind, Copenhagen
Film Screenings: Films will be screened at 1 pm in Galileo 201 on each day scheduled for a class meeting from Tue Jan 9 to Mon Jan 29. We have only one copy of each film, so please attend this screening if your schedule permits. For further study or in case you miss a screening, all films are also available on reserve at the Library Circulation Desk on the 1st Floor. They may be viewed at individual carrels on the 2nd Floor or you may reserve the Byron Bryant Viewing Room for groups of 2-6. Contact the Circulation Desk at 631-4229 to reserve the room.
Coursework: The coursework consists of class participation, workshop exercises, a critical essay, and a group presentation.
  • Class participation consists of doing all readings and viewing all films in advance of the corresponding day's discussion, attending the two Jan Term Events indicated on the course calendar, and attending class prepared to contribute critical observations (see Corrigan pp. 11-14).

  • Workshop exercises will be assigned daily and are due at the beginning of the subsequent class meeting. I expect you to write a complete solution to every workshop problem. Late workshops will be accepted with a 30% penalty compounded meeting-by-meeting. For example, a workshop that is one meeting late will yield 70% of its on-time value, two meetings late yields 49% of on-time value, three meetings late yields 34% of on-time value, and so forth. Missing workshops will receive a score of zero.

  • A critical essay of length 4-5 pages is required. An essay proposal is due in class on Friday January 19. The proposal may treat any of the films on the syllabus. The proposal must include a screening report (see Corrigan pp. 7-8 and Ch. 2). A rough draft is due in class on Friday January 26. The thesis of the rough draft must be justified using relevant terms and concepts of film criticism (see Corrigan Chs. 3,4, and 6). A final draft is due on Friday February 2. The final draft must respond to instructor rough draft feedback and conform to the guidelines on style and structure in writing of Corrigan Ch. 5. The essay component of the course grade will be determined by the following weights: 10% proposal, 20% rough draft, 70% final draft.

  • A group presentation of duration 20-25 minutes is required. A group consists of three students. You may organize your own group or you will be assigned to group. All group members are responsible for the content of the presentation and will receive equal credit except in the case of academic misconduct. A presentation proposal of length one page is due in class on Thursday January 25. Your proposal must describe how your presentation will comment on, respond to, or illuminate some aspect of the course. Proposals for creative presentations are permitted. Presentations will be made on Thursday February 1 and Friday February 2. The presentation component of the course grade will be determined by the following weights: 30% proposal, 70% presentation.
Course Grade: The course grade will be detemined be the coursework using the following weights: 25% class participation, 25% workshops, 25% critical essay, 25% presentation. The following distribution will be used to assign course grades: 100-93% = A, 92-90% = A-, 89-86% = B+, 85-83% = B, 82-80% = B-, 79-76% = C+, 75-73% = C, 72-70% = C-, 69-66% = D+, 65-63% = D, 62-60% = D-, Below 60% = F.
Academic Honesty: The Saint Mary's policies regarding academic honesty detailed in the student handbook apply to this course. I encourage you to work with other students but your write-ups should be in your own voice, and consist largely of your own work. Where your argument depends heavily on another's work, say so.
Course Calendar: The course calendar details the schedule of readings, film screenings, and assignment due dates.

Announcements

Workshop 9 due Fri Feb 2

Workshop 8 due Tue Jan 30

Workshop 7 due Mon Jan 29

Workshop 6 due Fri Jan 26

Workshop 5 due Thur Jan 25

Workshop 4 due Mon Jan 22

Workshop 3 due Fri Jan 19

Workshop 2 due Tue Jan 16

Workshop 1 due Fri Jan 12